the Chicago Field Museum (fm),
the Oriental Institute in Chicago (oi),
the Milwaukee Public Museum (mi),
the University of Pennsylvania Museum in Philadelphia (ph),
the Los Angeles County Museum of Art (la),
the San Diego Museum of Man (sd),
Many thanks to those organizations.
Click on a pic to see a larger image.
Tile from Amarna
(ph) A tile from the palace of Akhenaton at Amarna. Much original color still remains. 1339-1322BCE (J3374-J3391)
Tile from Amarna
(ph) Another magnificent piece from Amarna. 1339-1322BCE (J3374-J3391)
Door Lintel
(ph) On the left, the god Aten's name in the cartouch m rn.f m Sw nti m itnIn his name which is in the Sun disk and below is the word nHHForever.In the right-hand cartouche is Aten's name anx ra-Hrw-Axti Hai m AxtThe living Ra-Horakhty who rejoices in the Horizon.In the middle is anx itThe living father
Nefertiti, wife of Akhenaton
(oi) Nefertiti was the wife of King Amenhotep IV, a.k.a. Akhenaton. Please don't think that Akhenaton was a monotheist. Nothing could be further from the truth. This will date from around 1350BCE (J3363) or so.
Nefertiti and Ankhesenaton
(ph) The daughters of Akhenaton and Nefertiti figure prominently in Amarna portraiture. Here is Ankhesenaton (her name in the right hand column, the first half restored above the block, the second half on the block. As Ankhesenamun she married Tutankhamun and probably is the author of two letters offering the throne of Egypt to a Hittite prince. She later married Aye and thereafter disappeared from history.
The rays of the Aten
(ph) The large, flat areas are really deeply incised regions. The stela shows the beneficent rays of the Sun disk, the Aten, extending downward and touching, with open hands, the recipients of the goodness.
Fragments from Amarna
(ph) In the middle is item #26. #27 and #28 form the back row, from left to right. #29 and #30 form the front row, from left to right.
Cartouches of Akhenaton, the Aten, and Nefertiti
(ph) Top fragment, left-hand cartouche: Ahkenaton's throne name. Right-cartouche: Akhenaton. Bottom fragment, left-hand cartouche: The Aten's name. Middle two cartouches: again Akhenaton, Lord of Appearances. Right-hand cartouche: The Mistress of the Two Lands, Nefertiti.
Aye revivifying Tutankhamun
(ph) The ceremony was ideally performed by the deceased's eldest son. The dead king had no sons, so Aye's participation, although he was older than Tutankhamun, asserted his position as the eldest son and heir and therefore rightful king.